Buffy Animated - The Soundtrack Is Composed
From Buffy Magazine #65 - From Whedonesque.com - 2004-09-21st
The next production steps of the Buffy Cartoon have been started after the animations have been completed. Now the soundtrack is being composed. The score will hopefully be good enough so that we can look forward to a new Buffy Soundtrack CD.
noike skrev:Tidigare har Joss sagt att det ska utspela sig innan Buffy får veta att Angel är en "grrr arrgh". Vet inte om det stämmer fortfarande, de kan ju ha fått nya önskemål från tv-bolaget.
Writer David Fury stopped by the Bronze Beta and updated 'Buffy' fans on where the long-awaited "Buffy" cartoon series currently stands.
According to Fury, they're still trying to find a home for the show - which takes place in Buffy's highschool years - but the Showtime network has been rumoured.
Moviehole has also heard that if that doesn't happen - and even if it does - that the "Buffy" cartoons may find a home on DVD, be it in an episode chain or movie-length animated feature.
Within the next twelve months we should be seeing some inked-up Slayer action.
Off skrev:http://www.scifi.com/scifiwire/art-main.html?2004-10/21/13.00.tv
Jag vet inte hur man ska tolka det här?
Gellar said that she's not even sure the Buffy fan base would go for an animated series. "What's the term everyone uses?" she asked. "Jumping the shark. You never want to inundate, in my opinion. I think Buffy went out when it was still on top. I felt like we came back in that last season, did the show we wanted to do. I was really happy. I don't know why, then, you go back. What can Buffy do?
Gellar said that she's not even sure the Buffy fan base would go for an animated series. "What's the term everyone uses?" she asked. "Jumping the shark. You never want to inundate, in my opinion. I think Buffy went out when it was still on top. I felt like we came back in that last season, did the show we wanted to do. I was really happy. I don't know why, then, you go back. What can Buffy do?
Sarah Michelle Gellar skrev:"In terms of the DVDs, they always did the commentaries during the show," Gellar said. "I was working constantly, three units. There was never time. It was unfortunate. It was a timing thing. If you tell a line producer, ’OK, we need Sarah for two hours on this day to do commentary,’ the line producer is going to tell you, ’Uh-uh.’ So that was why I didn’t do it during the show. And if I had free time, if for some reason I was getting a day off, I was taking it. I was exhausted."
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