dizzy skrev:Book hade jag inte räknat med, trodde hans bakgrund var något Joss tänkte utforska mer än så här.
Jävla Joss.I am a leaf in the wind. Watch me soar.
MAL: You wanna run this ship?
JAYNE: Yes!
MAL: Well... uh... you can't!
Illyria skrev:A bear: hur var publiken när du såg den, skrattades det mycket åt humorn t ex?
Måste ta upp en sak om första scenen på Serenity, tror jag det var ivarjefall, Mal pratar med Wash, förflyttar sig genom skeppet, pratar med Jayne, argumenterar med Simon, de förflyttar sig ner på däcket osv. Det var inga klipp där?
Illyria skrev:Måste ta upp en sak om första scenen på Serenity, tror jag det var ivarjefall, Mal pratar med Wash, förflyttar sig genom skeppet, pratar med Jayne, argumenterar med Simon, de förflyttar sig ner på däcket osv. Det var inga klipp där?
The initial scene aboard Serenity is presented as though it's a single shot and moves through many of the ships locations including the bridge, the corridor with the bedroom doors, the engine room, the lounge, the sick bay, and the main cargo hold. From the time the camera "comes through" the windows on the bridge to the time the camera cuts is 4 minutes, 24 seconds. This does not include the beginning of the "shot", which starts with the ships name painted on her side and pans across her surface before going through the window. This was actually two long shots, not a single shot. The first shot took 30 takes, the second took 16 takes. The seam between the two shots is when the camera turns from Mal walking down the stairs to Simon following him.
The seam between the two shots is when the camera turns from Mal walking down the stairs to Simon following him.
MAL
I mean to confound those bungers, and take my shot at getting to Miranda, maybe finding out what all I'm dying for. That's the only path I see left and I got to walk it. So I hear a word out of any of you that ain't helping me out or taking your leave I will fucking shoot you.
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