Because of this statement, I wanted to see it and I thought that would be a good experience but it's so boring that I couldn't finish it. It is a movie about white men killing white men. When I say that, it’s with full acknowledgment that I’m a little blogging ant whose accomplishments in life pale in comparison to Scorsese’s. I was fine with them being old, as in their real ages, but as most of the movie reflected to their youth it made it difficult to even absorb the story line while they performed their non-youthful flashbacks. Pity he wasnt offed in the first 30 mins. The greatest waste of movie budget in the history of movies. There are long movies and then there are unnecessarily long movies; this was the latter. I'm trying to find something good about this movie but can't. Filled with pointless dialogue and it is clearly only getting great reviews because the big name actors are there. He jokes about his prep for killings: “Sometimes with something like this, you might want to go to the bathroom first.” We understand all too well that this advice for bladder care applies to the movie, also. But the main reason we’re here is for the airing of some much-needed constructive criticism with regards to Scorsese’s new 3.5-hour film, which hits Netflix on November 27. Not to mention the extremely terrible CGI from netflix. The Irishman sees Martin Scorsese, our greatest living filmmaker — the Ramses II of cinema — nesting below his pyramid, snug in his bed of mob movie hits. © 2021 METACRITIC, A RED VENTURES COMPANY. Anna Paquin as Peggy Sheeran. My review: The Irishman is part of a dead genre that no one cares about anymore. I know a three is harsh, but I feel I have to balance out the idiots. Overrated and boring Movie. It is this “bad weather” that delivers the light, the colour and the drama for which the Irish landscape is famous. I shut it off. We can look on his mighty works, and rejoice. The acting was pretty good in parts, but the story was incredibly boring and the characters were completely unlikable. I felt like it added this strange, puffy plasticity to their faces, and I would catch their faces rippling or shimmering at odd times—as if they were watery shapeshifters who hadn’t yet perfected their human masquerade. The movie is full of cliche lines that are meant to seem deep, but fall very short. It is a movie about white men killing white men. I apologize to Scorsese because you have an immense talent, but I suspect you already know it doesn't work. This is the worst film of 2019. Scorsese’s attempt at a musical was disastrous. It has no social importance or, more seriously, redemption. Your mileage may vary on whether the de-aging is distracting or not. No way does this movie deserve a 94 weighted score. He’s made his masterpieces. The acting was pretty good in parts, but the story was incredibly boring and the characters were completely unlikable. The Irishman review – Scorsese’s sweeping tale of crime and politics Al Pacino (Jimmy Hoffa) and Robert De Niro (Frank Sheeran), centre, in The Irishman. This is the film that the characters from The Producers would've made if instead of Springtime for Hitler they decided to make a film. Pesci was understated and magnificent, while DeNiro and Pacino seemed miscast and cartoonish. A 90 minute film might have worked. It is long past time to let new voices with new visions into the boys club of directing and producing movies. He does an impersonation of himself as a young man but he is moving like old man. It is a movie about white men killing white men. I found it to be a major stumbling block to my enjoyment of the film (which I wanted to like, believe it or not). Slow hard to follow, drawn out. It really sucks, This film followed the same script as any other mob movie by Scorecese: "look how bad, violent, and petty these guys are". Way too long and not all that interesting. Joe Pesci as Russell Bufalino. There are no women, no blacks, no other ethnicities My review: The Irishman is part of a dead genre that no one cares about anymore. Pesci is. We’ll address that as this goes along and the diluted power of Hoffa’s name will inform how we wrap this up. Robert DeNiro and Al Pacino for the first time in decades, in this adaptation of the book I Heard You Paint Houses which recounts the final days. I am a movie lover fed up with decades of stories about murderers. It would have rescued this movie from expensive CG fakery and filled in a big missing face hole in the reunion pic from Scorsese’s filmography. An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. Wait to see it for free. I turned to her, stopped the movie and said "This is sooo boring" to which she said "Wow, it's crazy, I thought the exact same thing". This is Scorsese at his most predictable, overlong, and self-repetitive. the Robert De Niro we fell in love with well...he has departed for places unknown. This movie was a disappointment on a every level. It has way too much back and forth about getting Jimmy Hoffa to behave or he would get killed, and if you've seen Blow with Johnny Depp, then you've seen the ending to this film. Skip it, ir rent it later. At the same time, to really make this constructive criticism, it needs to have a suggestion for how to make things better, even if it’s a bad one. So let’s go with the idea of Leo-led flashbacks, for posterity. How about story? In this edition: The Irishman is a regression on multiple fronts for director Martin Scorsese.). I was fine with them being old, as in. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. This was a horrible movie. Robert De Niro is out defending The Irishman from claims that the movie is based on lies. I would need to watch those scenes again to be sure (I won't) but it didn't seem like those scenes had any higher purpose other than showcasing the editor's boredom with the subject matter (or maybe Netflix's budgetary desire to limit the best directors and actors of our generation to one take). A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. It's a great movie from a director in his autumn years … With Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel. Maybe if I had played more video games, I would be inclined to forgive this flaw. But the acting was uninspired, particularly from Pesci and Pacino who always seemed to be aware that they were being filmed, and DeNiro, who was wooden throughout. To me, the digital makeup looked more like digital Botox. Make it stop. Actually, what we’re about to attempt is more like climbing down from a national monument in the manner of North by Northwest. The Trailer was boring too but the full movie is even more boring. For your consideration: Goodfellas 3: The Golden Years.). Basically we have an 80 years old male director, who casted 80 years old male actors, making a movie that tries to look like the movies that they made - brilliantly - decades ago at the peak of their energy and performances. With Scorsese bringing back so many of his previous collaborators for The Irishman (De Niro, Joe Pesci, Harvey Keitel, various Vinyl and Boardwalk Empire faces), it almost feels like the gang’s all here, anyway, except for DiCaprio. I'm trying to find something good about this movie but can't. At this point, Scorsese has nothing left to prove. This movie was a disappointment on a every level. I would probably have enjoyed it more if it was my first gangster movie but this just about rolls through every cliche there is. Nicely FILMED, though.. This movie made me feel like a potato because the plot makes no kinda sense which was so dumb and disappointing but I have it a point because of the dialogue potential. The Irishman is another outstanding cinematic accomplishment from Scorsese, featuring a talented cast and crew firing on all cylinders. Apologies in advance to the hard-working people at Industrial Light & Magic and all the rest of the cast and crew of The Irishman. Simply put, this movie is not for me. Continue reading to … If only the visual effects were the worst part of The Irishman, an overly long, overstuffed mafia film that has nothing to say and doesn't even seem to know what story it's telling. Affiliate links used when available. A film of masterly hushed precision, it digs deep into … One thing that's common among all Scorsese movies is the dialogue. There is no emotion, no innovation, no soul, no soundtrack, and no women. I've thought about this movie a lot. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. I can not figure out why people are raving about it. This movie is unbelievably long and dull. I've thought about this movie a lot. The worst movie from Scorsese. I know a three is harsh, but I feel I have to balance out the idiots who are heaping praise on this crap just because. The Irishman is certainly a work of cinema, however you want to define it. There are no women, no blacks, no other ethnicities but Italians (even the “Irishman” is played by an Italian). Deniro used to be a great actor but now he is a prost!tute making films that contradict everything he says he hates about Trump. The Irishman, the highly anticipated film from Martin Scorsese which reunites actors Joe Pesci. De Niro, if you’re not acquainted with the particulars of the plot, plays the titular Irishman, Frank Sheeran. I have that same feeling about this movie that I had after watching any of the Star Wars 1,2,3 that Lucas went back and made. /Featured Stories Sidebar, Features, Netflix, Unpopular Opinion, Martin-Scorsese, Robert-De-Niro, The Irishman, The Quarantine Stream: ‘Thief’ is Michael Mann’s Stylish Feature Directorial Debut, Spoiler Discussion: WandaVision Episodes 1 & 2, ‘Locked Down’ Director Doug Liman on Shooting a Movie About the Pandemic During the Pandemic [Interview], ‘The Bourne Identity’ Director Doug Liman Still Doesn’t Know How to Feel About Bond Copying Bourne, ‘Cobra Kai’ Creators Reveal Which Characters Can Return to the Show and What to Expect from Season 4 [Interview], The First Two Episodes of ‘WandaVision’ Take Us Into the Weirdest Corner of the Marvel Cinematic Universe, Copyright © 2005-2019 /Film. Check box if your review contains spoilers, A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. The CGI makes the actors look fake. This film was so bad, This movie was so absolutely boring I didn’t even wait to get to the end. It's as if Scorcese is trying to give a Morality Lesson after all the "glamourous" Mob films of the past. only netflix could do such a trash job at making movies. Like Martin had a bet with Quentin Tarantino on making the longest, most boring movie and he won this year. Totally boring and way too long. Story line is of interest although not factual but....the....movie....just....drags... on and on. The Irishman is an epic saga of organized crime in post-war America told through the eyes of World War II veteran Frank Sheeran (Robert De Niro), a hustler and hitman who worked alongside some of the most notorious figures of the 20th Century. The Irishman is a sweeping tale of mob violence and betrayal following Frank Sheeran (Robert De Niro), one of the few Irishmen integrated into the … I’m taking for granted that the reader knows who Jimmy Hoffa is. Has extremely no porpuse and may be one of the most overrated movies on this decade only because of it's cast. Not engaging enough to get excited about. The definitive site for Reviews, Trailers, Showtimes, and Tickets Scorsese is the George Washington on my Mount Rushmore of filmmakers. I think that Scorsese and team tried to duplicate the intensity and energy of goodfellas but came up far short. The 16-minute, $70-million film was bankrolled by a Chinese casino. Its the 21st Century and here Deniro romanticizes life as a loudmouth, racist, bully CGI old man who uses Catholicism as a predictable prop. This was Goodfellas, with lots of time added in and lots of fun taken out. Actors playing roles they should be at least 30 years younger for to be believable. Scott Pilgrim vs. the World: The Game - Complete Edition, MXGP 2020 - The Official Motocross Videogame, Night Stalker: The Hunt for a Serial Killer. A Who's Who of old Mafia actors; DeNiro an adenoidal caracature of himself.. repeating his lines, repeating his lines.. Harvey Keitel and Katherine Narducci were two bright spots but barely registered in the story. Welcome to the uncanny valley. The ending sucked...and I was just happy to get out of the theater. Spanning decades, the film chronicles one of the greatest unsolved mysteries in American history, the disappearance of legendary union boss Jimmy … Nevertheless, as I watched The Irishman — a film that has received universal acclaim — I felt the contrarian rearing up in me, chafing against the idea that it was an instant classic on par with some of his other certified masterpieces. As a work of entertainment, it has enough drama and humor to keep viewers invested. Robert De Niro as Frank "The Irishman" Sheeran. I can well imagine the thrill of receiving a phone call at ILM from Scorsese, his voice pregnant with the deal-making words, “I heard you paint faces younger.”. I can't believe people are really watching the whole thing, they must be fast-forwarding through parts of it and not telling anyone. Since most people outside Asia haven’t seen it and the novelty factor’s still there, imagine how brain-melting it would have been to see DiCaprio join the cast of The Irishman, in addition to all these other legendary performers. It’s as if the production itself forms a metatextual recrimination of itself, bolstering Scorsese’s lesson on human frailty and mortality with the lesson that you really can’t turn back the clock, even with the most advanced filmmaking techniques. The editing was very poor and couldn’t save what was a weak script to begin with. He’s a mob hitman who gets a phone call from Jimmy Hoffa, inviting him to be “a part of history” based on his house-painting reputation (“paint” being sly mob code for the blood of human targets). Martin Scorsese did a marvelous job selling this to Netflix, because no one else would play it. Unless you're predisposed to unconditionally and indiscriminately love just about anything by Team Scorcese/DeNiro/Pacino, you'll be disappointed in The Irishman. As it is, what Scorsese gives us with The Irishman is an unglamorous return to mob movie territory, where the men’s half-CG faces are now fraying at the edges, skin-walking in unnatural ways. In the end, just a DEPRESSING excersize in Mafia bleakness; you don't care about ANY of these people. That sounds sarcastic, but I genuinely wonder if the lack of home video game consoles throughout my life has left me ill-prepared to stomach the intrusive visual effects in The Irishman. It's like an olg people's home from hollywood. Compared to other Scorcese classics like Goodfellas, Wolf, Departed, Casino, Raging Bull, etc this is pure garbage. But this is not good. Very Bland very boring very predictable. Pervasive and extremely foul language gets in the way of the story. Movies like this have littered the film landscape for 38 years since 1972’s The Godfather (which did the same thing but so much better, mainly because the genre was new). What began as a kidnap/ransom business eventually turned into running security for bootlegging on behalf of the Lansky-Purple Gang-Bronfman empire. In Gangs of New York, Scorsese used Bill “The Butcher” Cutting, played by Daniel Day-Lewis, as a mouthpiece for a line from the Book of Revelation: “I know your works. Nothing new in the typical mob story here. Absolutely awful. Hard to watch, tried but couldn't finish several times, slow, weird sfx, cliched to the extreme. And it's even surprisingly, frequently touching and funny. A movie that is 210 minutes long, with actors WELL past their prime. I know some of the critics have applauded the slow pace, the artistry of the photography, but I just don't get that. In the end, The Irishman leaves off with many questions -- about legacy, regret, and more. In the end, just a DEPRESSING excersize in Mafia bleakness; you don't care about ANY. Tried to watch a full hour and yawned more times than i did in a whole year. Retroactive fan-casting is the last refuge of the disappointed moviegoer. So we stopped watching. Their performances are solid, but just needed a better story. The Irishman, the highly anticipated film from Martin Scorsese which reunites actors Joe Pesci. Why they are still removed? It's sharp, engaging, and crackling with conflict. Going by that standard, The Irishman is nothing we haven’t seen from him before. Who will run with me as I make my forward charge and die on this hill? There is a good movie in. Not to mention the. This movie was so absolutely boring I didn’t even wait to get to the end. I can see where an apologist for The Irishman might use this to prop up the argument that the film’s flaws are a feature, not a bug. Or maybe there’s a layer of inherent visual artifice that comes with, say, a Star Wars film, which helps muddy the field, letting you know, deep down, that most of what you’re looking at is fake, so you can more easily accept its otherwise bizarre CG resurrections (Peter Cushing) and “youthifications” (Carrie Fisher passed away a week and a half after the world saw her young digital likeness pasted on a body double in Rogue One). the Robert De Niro we fell in love with well...he has departed for places unknown. sans compter Harvey Keitel qui avait joué dans Taxi Driver ! Denaro should spend less time on politics and more carefully considering the quality of the script. Web design by Pro Blog Design. This movie was 2 hours too long. The movie is full of cliche lines that are meant to seem deep, but fall very short. This bloated 3.5 hour film does not. In this one instance, I will not rejoice, because— like Peter Griffin assessing The Godfather — “I did not care for” The Irishman. My dad and “Jimmie” went to work for very German and very non-Jewish, non-Irish and non-Italian Josef at around age 12. This film was so bad Hollywood didn’t even want it. The so-called talent phoned in their performances; these guys are all ready for retirement and it shows. Posted on Friday, November 29th, 2019 by Joshua Meyer, (Welcome to The Unpopular Opinion, a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. It is outdated, old fashioned and irrelevant. There are moments of sudden, gory violence, all with no value. My review: The Irishman is part of a dead genre that no one cares about anymore. But this is not good. No way to give spoilers for this movie... Just Another gangster film that takes place over decades the CGI is very bad and almost laughable because you can hear the really ancient actors voicing over themselves as young? A movie that is 210 minutes long, with actors WELL past their prime. Maybe I’m just a Luddite and need to get with the times and embrace the possibility of a digitally resurrected James Dean. Welcome to the uncanny valley. The Irishman represents a new kind of tech-enabled Kabuki theater. “The Irishman” presents mob life as a far more solemnly unromantic and toll-taking experience. Directed by Martin Scorsese. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. Really a movie for critics. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. It's like Scorsese is trying to bring back an updated godfather / Casino movie, but he was blind folded when trying to hit the mark. The Irishman sees Martin Scorsese, our greatest living filmmaker — the Ramses II of cinema — nesting below his pyramid, snug in his bed of mob … In the end, it left me feeling that some reviewers are too charitable and that this definitely did not need to be a $160 million movie. No way to give spoilers for this movie... Just Another gangster film that takes place over decades the CGI is very bad and almost laughable because you can hear the really ancient actors voicing over themselves as young? Once great actors walk through their parts in a meandering tale with occasional gore and violence. Goodfellas is my all time favorite movie and I admire the team that put together the Irishman. The CGI makes the actors look fake. Most people will probably watch this movie on the small screen, and who knows, maybe it will be easier to surrender to the willing suspension of disbelief that way. But the acting was uninspired, particularly from Pesci and Pacino who always seemed to be. I held out a long time before watching it, wife wanted to see it badly and insisted on seeing it all in one sitting, so took a while to find the time. ALL RIGHTS RESERVED. How about understanding relationships and what motivates a character? De Niro himself convinced us that he was the young Vito Corleone in The Godfather, Part II (this, despite taking the stage after Marlon Brando, which was no easy feat, back then). The CGI anti aging was hard to watch for 3+ damn hours. This film is a perfect example of what happens when the greats work past their prime. Scorcese felt he had to tell *everything* about the mafia and the teamsters union over decades, and I mean absolutely everything: every event, every character, it was ridiculous. Yet it's an exquisite-looking movie, with nary an unnecessary move. The compartments in this box of bitter pills are full, lined up in a row for the viewer to swallow like Sheeran’s daily doses of medicine. Has extremely no porpuse and may be one of the most overrated movies on this decade only because of it's cast. The Irishman Critics Consensus An epic gangster drama that earns its extended runtime, The Irishman finds Martin Scorsese revisiting familiar themes to poignant, funny, and profound effect. Martin Scorsese's exciting, epic-length new crime film, The Irishman, isn’t Goodfellas Light or Goodfellas 2, it is more an inverse Goodfellas. Hopefully he gets back on track with that new Decaprio feature he is prepping to shoot. /Film Blogging the Reel World It called attention to itself and made me acutely aware, much of the time, that the movie was ushering me into a world dominated by decrepit old white men and their game-faced juniors (Academy voters, get your ballots ready! All I can say is, when I watched it on the big screen — with the actors’ faces projected large enough to count their individual liver spots — the CGI stuck out like a sore thumb. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Al Pacino as James Riddle "Jimmy" Hoffa. It’s probably not as bad as New York New York. Obviously, in this case, the models weren’t CG … but you get the point. TERRIBLY long.. and usually, tedious. Privacy Policy / Cookie Policy. Even the scenes of violence and suspense are deliberately dispassionate, as if to confess that these things should not be spectacles. I really don't know how this is a must-see film. This was before someone had the bright idea that you could just make lifelike models of the servants and not have to bury people alive. It goes without saying that his cinematic legacy is secure. boring unispired redo of goodfellas, which to be frank is far superior. An enforcer and hitman for the mob looks back on his life and his relationship with Jimmy Hoffa. Across five movies with Scorsese, DiCaprio has already carved out a niche as a new 21st-century De Niro of sorts, and he’s an accomplished enough actor that he or another actor of his caliber might have added a more seamless human touch to this movie. As a military veteran, I was disgraced by his behavior and Scorsese shouldn't make another movie and Deniro should play roles to his left heeding political space allow him to. For example, if you search for The Irishman on Twitter, the first suggestion is "The Irishman boring". Robert De Niro excels at playing closed-off, unreachable characters—hard men who might seem a bit dull if you met them for the first time, but have inner lives that they rarely let anyone see, and are mysteries to themselves. That's how bad this movie is. Where are all the up and coming directors and actors? Story line is of interest although not factual but....the....movie....just....drags... on and on. A Who's Who of old Mafia actors; DeNiro an adenoidal caracature of himself.. repeating his lines, repeating his lines.. If you are entertained by the movie. To paraphrase Casablanca: “The [opinions of a movie blogger] don’t amount to a hill of beans in this crazy world.” Sure, I could tell you what works in The Irishmen. We've already ran several raves, so it's time for a The Irishman negative review from a critic who typically loves Martin Scorsese movies. After the first 30 or 40 F bombs and MFers it gets a bit tiring. Still have no idea how this is a must-wacth, people giving 10's only because of the cast and scorsese, because realistically, if the movie had been made by some other less influent director and cast, this would be a 6 at most. Pervasive and extremely foul language gets in the way of the story. Goodfellas is my all time favorite movie and I admire the team that put together the Irishman. Worthless, senseless, violent, predictable, boring, walked out of the movie 45 mins into it. The Irishman made me long for the days when he would just put actors in front of the camera and not muck with their faces on the computer. 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Innovation, no where near Scorsese 's best the irishman negative review as Felix `` Razor.: goodfellas 3: the Irishman on Twitter, the writing stale and regurgitated 's... These guys are all ready for retirement and it is a movie lover fed with.
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